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Writing Together Online offers the structured writing time to help you stay focused and productive during the busy fall months. Join our daily 90-minute writing sessions and become part of a community of scholars who connect online, set realistic goals, and write together in the spirit of accountability and camaraderie. We offer writing sessions every workday, Monday through Friday. The program is open to all MIT students, postdocs, faculty, staff, and affiliates who are working on papers, proposals, thesis/dissertation chapters, application materials, and other writing projects.Please register for any number of sessions:Monday, Wednesday, and Friday 9:00–10:30am (EST) Tuesday and Thursday, 8:00–9:30am and 9:30-11:00am (EST)For more information and to register, go to this link or check the WCC website. Please spread the word and join with colleagues and friends. MIT Students and postdocs who attend at least 5 sessions per challenge will be entered into a gift-card raffle.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

Using citation management software to create and maintain a collection of references or PDFs is common and important in today’s academic world. These tools will help you to save citations from your favorite databases and websites, store related PDFs or attachments, annotate PDFs, and quickly build a bibliography for your papers and publications. We’ll focus on how to use Zotero, but will also discuss other options, such as Mendeley.

Speaker: Kishwar Shafin (Google)Title: Creating the next generation of genome analysis tools with deep learningAbstract: Deep learning is fueling a revolution in genomics, enabling the development of a new generation of analysis tools that offer unprecedented accuracy. This talk presents a suite of deep learning models designed to address fundamental challenges in variant calling and generating high-quality genome assemblies. We begin with DeepVariant, a convolutional neural network that redefined the standard for germline variant calling, and its extension, DeepSomatic, which adapts this technology to the critical task of identifying low-frequency somatic mutations in cancer genomes. Moving from variant analysis to genome construction, we introduce DeepPolisher. This tool leverages a powerful Transformer-based architecture to significantly reduce errors in genome assemblies, providing a more accurate and reliable foundation for downstream research. Finally, we explore the future of variant calling by integrating these methods with emerging pangenome references. We demonstrate how a pangenome-aware approach allows for a more comprehensive survey of human genetic diversity, resolving variation in previously intractable regions of the genome. Together, these tools represent a cohesive framework that is building the next generation of genomic analysis, transforming our ability to accurately read and interpret the code of life.In person or on Zoom at https://mit.zoom.us/j/93513735220

Looking for an interesting read?The Book Discussion group will host virtual meetings via Zoom. Please write to Maxine Jonas (jonas_m@mit.edu) to be added to their mailing list. They (almost always) meet on the fourth Wednesday of the month, at 11:30am – 1pm.Our book line-up this year will be:September 24: Kristin Hannah, The Women October 22: Asmaa Alghoul, A Rebel in Gaza December 10: Edwidge Danticat, Brother I'm Dying January 28: Caroline Criado Perez, Invisible Women: Data Bias in a World Designed for Men February 25: Daphne du Maurier, Rebecca March 25: Edith Wharton, The Age of Innocence April 22: Percival Everett, James May 27: Amor Towles, Rules of Civility

Professor Michael Horowitz from the University of Pennsylvania will speak at the MIT Security Studies Program's Wednesday Seminar.Summary: In this seminar, Professor Horowitz will address the question: are nuclear weapons useful for coercion, and, if so, what factors increase the credibility and effectiveness of nuclear threats? While prominent scholars like Thomas Schelling argue that nuclear brinkmanship, or the manipulation of nuclear risk, can effectively coerce adversaries, others contend nuclear weapons are not effective tools of coercion, especially coercion designed to achieve offensive and revisionist objectives. Simultaneously, there is broad debate about the incorporation of artificial intelligence (AI) into military systems, especially nuclear command and control. We develop a theoretical argument that explicit nuclear threats implemented with automated nuclear launch systems are potentially more credible compared to ambiguous nuclear threats or explicit nuclear threats implemented via non-automated means. By reducing human control over nuclear use, leaders can more effectively tie their hands and thus signal resolve. While automated nuclear weapons launch systems may seem like something out of science fiction, the Soviet Union deployed such a system during the Cold War and the technology necessary to automate the use of force has developed considerably in recent years due to advances in AI. Preregistered survey experiments on an elite sample of United Kingdom Members of Parliament and two public samples of UK citizens provide support for these expectations, showing that, in a limited set of circumstances, nuclear threats backed by AI integration have credibility advantages, no matter how dangerous they may be. The findings Professor Horowitz will discuss in this seminar contribute to the literatures on coercive bargaining, weapons of mass destruction, and emerging technology.

Do you have intermediate to advanced skills in Python? Are you interested in learning how to work with geospatial data in your research? In this workshop, you will learn how to work with both vector and raster data using Python. You will explore how to import, visualize, crop, and assess spatial datasets to focus on areas of interest. You will conduct a hands-on case study analyzing the impact of the 2023 wildfire on Rhodes, Greece, working with real-world satellite and topographical data, calculating NDVI, identifying scorched areas, and comparing pre- and post-disaster landscapes. This session will help integrate powerful spatial tools into your data science or research workflows.

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Speaker: Monty McGovern (University of Washington)Title: Pattern avoidance and singularity of K-orbit closuresAbstract: Kazhdan-Lusztig-Vogan polynomials provide fairly complete information about the singularities of K-orbit closures in flag varieties; but in view of their complexity, it is often convenient to have weaker information available in a more explicit form. The combinatorial notion of pattern avoidance provides a tool for doing this. I will characterize smoothness and rational smoothness of K-orbit closures via pattern avoidance in all classical cases. The conditions exhibit many similarities to but also intriguing differences from their counterparts for Schubert varieties.

Speaker: Mitchell Lee (Harvard University)Title: The restriction problem and the Frobenius transformAbstract:Restriction coefficients are the coefficients that appear when decomposing an irreducible GL_n-module into irreducible S_n-modules. The problem of finding a combinatorial formula for restriction coefficients is called the restriction problem and it is a central open problem in algebraic combinatorics. By suitably decategorifying Joyal's analytic functor construction, we define a linear map called the Frobenius transform on the ring of symmetric functions. We then use the Frobenius transform to prove some vanishing results about restriction coefficients as well as an identity that relates restriction coefficients, Kronecker coefficients, and Littlewood-Richardson coefficients.

Time: 4:00 PMLocation: Cambridge, MA

Join us for a zine making workshop Wednesday, October 22 at 5pm in the Nexus in Hayden Library (14S-130). Explore and find inspiration from zines in the MIT Libraries' collection and then make your own. Supplies provided. Free registration.This event is part of the Libraries' Science Storytelling through Book Arts series. Other events in the series include a panel discussion with book artists and an open house featuring new acquistions and other materials from Distinctive Collections and Rotch Library.

On Wednesday nights you are invited to come to The Table for peaceful Christian worship in the Chapel at 5:15 pm and dinner in the Main Dining Room of W11 at around 6:30 pm.We worship with beautiful songs, open conversation about the Scriptures, prayers and a simple sharing of communion around the altar. Then we enjoy dinner together and good company together. Whether you come every week or just drop by once in a while, there is a caring community for you at the Table.You are truly welcome to come as you are: undergrad, grad, or post-doc; sure of your faith or wondering what it is all about; gay, straight, bi, trans, questioning. Please join us for no-pressure worship and fellowship.Hosted by the Lutheran Epsicopal Ministry @ MIT. For more information, or to verify gathering times during holiday and vacation periods, please contact chaplains Andrew Heisen (heisen@mit.edu) and Kevin Vetiac (kvet246@mit.edu).Please note that we will not meet during the week of Thanksgiving nor between Christmas and New Year's Day. Please see our website (le-ministry.mit.edu) for updates on meeting times and locations as well as additional details.

Making What Matters introduces Tony Fadell — inventor, entrepreneur, investor, and author of Build: An Unorthodox Guide to Making Things Worth Making — as MAD's inaugural Designer in Residence. Fadell, known for his creation of the iPod, iPhone, and Nest, will discuss how design decisions shape technology, daily life, and the futures we imagine.This event is presented in partnership with the MIT Media Lab and is part of series of public events featuring Tony Fadell at MIT, such as MAD Reads, a discussion open to the public on Fadell's book.SPEAKERTony Fadell Engineer, designer, entrepreneur, and investorAnthony “Tony” Fadell is an active investor and entrepreneur with a 30+ year history of founding companies and designing products that profoundly improve people’s lives. He founded Nest Labs, Inc. in 2010 and served as its Chief Executive Officer until 2016. Known as the “father of the iPod,” he joined Apple Computer Inc. in 2001 and, as the SVP of Apple’s iPod division, led the team that created the first 18 generations of the iPod and the first three generations of the iPhone.Fadell has filed more than 300 patents for his work and was named one of Time's “100 Most Influential People in the World” in 2014. In May 2016, Time named the Nest Learning Thermostat, the iPod and the iPhone three of the “50 Most Influential Gadgets of All Time.” Fadell graduated with a BS degree in Computer Engineering from the University of Michigan in 1991.

Come join the MIT Women’s Chorale as we experience the joy of making music together! New singers from throughout the MIT community are welcome on Wednesdays evenings, beginning on September 10, from 7 to 9 pm in Building 4 as we practice for our December concert.The Chorale, a concert choir focused on music for treble voice, is led by our talented music director, Nhung Truong, who makes each rehearsal a pleasure.We ask that prospective singers contact us at mitwc@mit.edu to register with us and be placed on an e mail list to receive necessary information. Further details are available on our website.https://web.mit.edu/womensleague/womenschorale/

Time: 7:00 PMLocation: Cambridge, MA