Events Calendar

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

An online mini course for the MIT community with Peter Krause (PhD '11). Krause is an associate professor of political science at Boston College and a research affiliate with the MIT Security Studies Program.This webinar is hosted by the MIT-MENA program at the MIT Center for International Studies.Please note that you will need an MIT email address to register for this event.December 8: Abraham Accords and Arab-Israeli relationsRegister here for session 4 on December 8.About the speaker: Peter Krause is an associate professor of political science at Boston College. His research and teaching focus on international security, Middle East politics, terrorism and political violence, nationalism, and rebels and revolution. He currently teaches courses on Middle East politics, terrorism and political violence, research methods, and international relations. He is a faculty associate in the International Studies Program and the Islamic Civilization and Societies Program at Boston College, as well as a research affiliate with the MIT Security Studies Program.This is for the MIT community only.Sponsored by MIT-MENA.

Date: Monday, December 8, 2025 Time: 12:00 pm – 1:00 pm Location: Seminar Room 3189Title: How flies learn to engage with objects and one anotherAbstract: A central goal shared by neuroscience and robotics is to understand how systems can navigate and act autonomously in complex environments. Although extensive research has revealed how the visual system segments natural scenes into distinct components—insights that have inspired advances in computer vision and robotics—the next crucial challenge remains: learning the properties of these objects and responding appropriately. In this talk, I will present our work using the fruit fly Drosophila melanogaster to investigate how the brain learns about objects and other animals in its environment, and how it uses that information to guide behavior. By integrating quantitative behavioral analysis, genetic manipulation, connectomics, and neural recordings, we aim to uncover the neural mechanisms that enable flexible, adaptive interactions with the world.Bio: Pavan Ramdya, Firmenich Next Generation Chair of Neuroengineering, is the Director of the Neuroengineering Laboratory at EPFL in Lausanne, Switzerland. Dr. Ramdya received his PhD in Neurobiology from Harvard University and then performed postdoctoral work in Robotics and Neurogenetics at EPFL and UNIL, then Bioengineering at Caltech. His laboratory aims to draw inspiration from animals in order to design more intelligent and adaptive artificial systems. To accomplish this, they use computational, engineering, genetic, and microscopy approaches to investigate how neural population dynamics, biomechanics, and gene expression sculpt complex limb-dependent behaviors in Drosophila melanogaster. In recognition of his work, he has been awarded an HFSP Career Development Award, a Swiss National Science Foundation Eccellenza Grant, the UNIL Young Investigator Award in Basic Science, and is a member of the FENS-Kavli Network of Excellence.

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

TBD

Ashley Swanson (UW Madison)

Aging Brain Seminar with Kang Shen, PhD, Stanford UniversityDate: Monday, December 8Time: 4:00pmLocation: 46-3310, Picower Seminar Room (In-person only)

"Protein Dynamics and Modulation of Aggregation at the Oligomer Level Relevant in Neurodegeneration: Insights by NMR”

TBA | Melissa Kearney (Maryland)

Come by for snacks, and tea with Literature Section friends, instructors, students, etc. What are you reading? What 21L classes are you taking or hoping to take? This event is specifically geared towards undergrads; but open to friends of the community that engage in the literary and humanities at MIT.

Speaker: Ismael Sierra Del Rio (University of Toronto)

Geopolitics and the World Trading System (with Aaditya Mattoo and Michele Ruta)

Explore centuries-old artistic traditions through new fabrication technology in this 3-part workshop.After an introduction to woodblock printing techniques, you’ll craft your own prints across three sessions. First, learn how to use the Museum’s laser cutter. Next, use design software to transform photos, words, and/or graphics into bold outlines. Lastly, ink your laser-cut blocks and add color.Use your new skills to make seasonal cards or create artistic prints in any style!Participants must be available for all three sessions. No prior experience necessary.This is an 18+ workshop series.Session Dates:December 1, 2025 December 8, 2025 December 15, 2025$120

Join us on Monday evenings for Argentine tango classes with outstanding instructors. Whether you are completely new to tango, or already have some experience, you will find a friendly environment in which to learn new things and improve your technique. You don't have to bring a partner, since the classes involve rotations with all participants.Full Series: Sep 15, 22, 29, October 6, 13, 20, 27, Nov 3, 10, 17, 24, Dec 1, 8, 15.For all info and registration, visit following link.