Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

The Department of War invests nearly $1 trillion each year to develop, fund, and field the capabilities that protect national security. Behind this effort lies a complex system of interconnected processes—the recently nixed Joint Capabilities Integration and Development System (JCIDS), the Planning, Programming, Budgeting, and Execution (PPBE) process, and the Defense Acquisition System—that together determine what the military buys, how it funds it, and how it gets delivered. This seminar distills how these systems work, who the key players are, and how recent reforms are reshaping them. Participants will gain practical insight into navigating DoD’s priorities, understanding incentives, and identifying entry points for dual-use technologies and startups seeking to engage with defense customers.This class is offered twice during IAP.This class is offered twice. Please sign up for only one session.To register please complete this form: https://mit-bwsi.formstack.com/forms/intro_gov_contractsIn-person only at NE45-202 (300 Technology Square)

Workshop blurb:Ever wondered how are objects from our daily lives designed? How can we generate a computer 3D model of a classic iPod, a Play Station controller, or a LEGO Tower Bridge? What about designing the Taipei 101 tower? A banana? Or how about visualizing and interacting with these objects using VR? In this fun MIT IAP 2026 workshop, you will learn the skills to design and VR-visualize all of these, and much more!Split into 8 (6 CAD, 2 VR) 2-hour long sessions, the first half of each session will be spent learning new Autodesk Inventor and VR skills, while the second half will see the application of these new skills through in-class activities, with a focus on reverse engineering. In contrast to traditional mechanical design courses, this workshop places greater emphasis on the design process itself, understanding how we can plan and best leverage our available tools to arrive to our desired result. Thus, the sessions are less about following the instructions on an engineering drawing, and more about independent thinking and strategizing, reverse engineering an object into a 3D model. New to this edition of "How to CAD" are 2 sessions that will go through the process of visualizing 3D models using VR!Logistics:Please express your interest in this workshop by filling up the following form.You can find the "How to CAD Almost Anything" syllabus for this IAP 2026 here.

https://www.benferinga.com/

Welcome to the Middle Eastern Ensemble! Please join us as we play music from the wider region of the middle east, from Afghanistan to Turkey, Egypt, Greece, and Armenia. Any skill level or instrument welcome. There will be four rehearsals and a final performance. Weekly meetings on Thursdays from 6-8pm. Please contact garo@mit.edu if interested.

Time: 5:00 PMLocation: Cambridge, MA

Engage with MIT’s innovation ecosystem at the 2026 MIT Japan Conference, exploring the next frontiers in science, technology, and business transformation.This year’s program features Professors Mark Bathe, Bryan Moser, Juejun Hu, Steven Spear, Kevin Chen, Alex Shalek, Faez Ahmed, and Ezra Zuckerman, highlighting breakthroughs in:Programmable biology and molecular engineeringRobotics, soft machines, and autonomous systemsMachine learning, optimization, and AI-driven designSystems thinking, leadership, and organizational innovationThe future of work and sociotechnical systemsTen MIT-connected deeptech startups will deliver lightning pitches showcasing cutting-edge innovations across AI systems, biotechnology, advanced manufacturing, sustainable chemistry, autonomous vehicles, and smart infrastructure.Attendees will have the opportunity to engage directly with MIT faculty and MIT-connected startups through interactive sessions, a networking lunch, and an evening reception.Building on more than two decades of MIT Japan Conferences, the 2026 event will spotlight emerging technologies shaping the next decade and strengthen collaboration among MIT, MIT-connected startups, and Japan’s industry leaders.

Time: 12:00 PMLocation: Rochester, NY

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

In this IAP series, you will learn how to design, test, and iterate your own puzzle box while exploring what makes puzzles fun, challenging, frustrating, and/or rewarding. No previous experience with puzzles, engineering, or modeling is needed. We will provide supplies for prototyping and an introduction to digital prototyping.Registration will be capped at 15 participants. Please only RSVP if you plan on attending most of the sessions.Series Schedule (Subject to Modification)In-Person Sessions are 10am-11:30amOnline sessions are 10am-11amWeek 1Monday 1/5: In-PersonExplore a variety of puzzle boxes while exploring goals, challenge level, and design decisionsBegin to brainstorm and outline ideas for your own puzzle boxTuesday 1/6: VirtualShare and discuss initial design ideasExplore common mechanisms, signposting, and how to systematically add complexityWednesday 1/7: VirtualBegin prototyping puzzle boxes and experimenting with mechanismsExplore how to effectively user-testThursday 1/8: ZoomIntroduction to designing puzzles digitallyFriday 1/9: In-PersonBuild and feedback sessionWeek 2Wednesday 1/14: VirtualDesign check-in (Note time of this session may change)Week 3Wednesday 1/21: In-PersonTesting and iterationFriday 1/23Present and play test your puzzles

This IAP will have 4 sessions, you can choose which one(s) you would like to attend.You are invited to exciting presentations by researchers from MIT Lincoln Laboratory, showcasing the latest advancements in topics such as Space Exploration, Advanced Materials and Next-Gen Weather.To be annou cedYou are invited to an exciting presentation by researchers from MIT Lincoln Laboratory, showcasing the latest advancements in technology. Attendees will gain insights into cutting-edge research, practical applications, and emerging trends in the field.Why Attend?Learn directly from Lincoln Laboratory expertsExplore potential collaborations and research opportunitiesEngage in a Q&A session to deepen your understandingDon’t miss this opportunity to connect with leading innovators and discover how Lincoln Laboratory is driving technological breakthroughs.Revisit in December for updated schedule.Registration Opens November 25Link for registration: https://mit-bwsi.formstack.com/forms/iap_seminar_series