Engage with MIT’s innovation ecosystem at the 2026 MIT Korea Conference, exploring the next frontiers in science, technology, and business transformation.This year’s program features Professors Mark Bathe, Juejun Hu, Steven Spear, and Kevin Chen, highlighting breakthroughs in:Programmable biology and molecular engineeringRobotics, soft machines, and autonomous systemsSystems thinking, leadership, and organizational innovationSilicon photonics and opticsTen MIT-connected deep tech startups will present lightning pitches showcasing cutting-edge innovations across AI systems, biotechnology, advanced manufacturing, sustainable chemistry, autonomous vehicles, and smart infrastructure.Attendees will have opportunities to engage in in-depth discussions with MIT faculty and startups through interactive sessions, a networking lunch, and a dedicated networking break. The 2026 event will spotlight emerging technologies shaping the next decade and strengthen collaboration between MIT and Korea’s research and innovation ecosystems.

The nuts and bolts of preparing a New Venture Plan and launching the venture will be explored in this 37th annual IAP offering. The course is open to members of the M.I.T. Community and to others interested in entrepreneurship. It is particularly recommended for persons who are interested in starting or are involved in a new business or venture. Offered in January 2026 on Tuesdays, Wednesdays and Thursdays January 20, 21, 22, 27, 28, 29 6pm to 9pm Room 10-250. Persons interested need to sign up for the email list at nutsandbolts.mit.edu/email.php

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

Enrollment: Limited: Advance sign-up required Limited to 35 participantsAttendance: Participants must attend all sessionsPrereq: Matrix MathematicsBig Data describes a new era in the digital age where the volume, velocity, and variety of data created across a wide range of fields is increasing at a rate well beyond our ability to analyze the data. Machine Learning has emerged as a powerful tool for transforming this data into usable information. Many technologies (e.g., spreadsheets, databases, graphs, matrices, deep neural networks, ...) have been developed to address these challenges. The common theme amongst these technologies is the need to store and operate on data as tabular collections instead of as individual data elements. This class describes the common mathematical foundation of these tabular collections (associative arrays) that apply across a wide range of applications and technologies. Associative arrays unify and simplify Big Data and Machine Learning. Understanding these mathematical foundations allows the student to see past the differences that lie on the surface of Big Data and Machine Learning applications and technologies and leverage their core mathematical similarities to solve the hardest Big Data and Machine Learning challenges.This interactive course will involve significant interactive student participation and a small amount of homework. Those students who fully participate and complete the homework will receive a certificate of completion.The MIT Press book "Mathematics of Big Data" that will be used throughout the course will be provided.E-mail the instructor to sign up.Instructors:Hayden Jananthan - Research Scientist MIT Supercomputing Center - hayden.jananthan@ll.mit.eduJeremy Kepner - Fellow & Head MIT Supercomputing Center - kepner@ll.mit.eduSignup Deadline: Dec 15

Hosted by E14 Fund and Media Lab MAS, this engaging workshop will bring together MIT founders to share their experiences and insights on transitioning from scientists and engineers to entrepreneurs. The workshop is designed to guide you through the entrepreneurial process, encourage meaningful connections with both experienced and budding founders, and build a supportive community of peers at various stages of their startup journey. This workshop will also include a field trip to the headquarters of Maven AGI and a fireside chat with the founders.Space is limited, and applications to join are due by November 21.Apply: https://beyondthelab.mit.edu/iapAbout the E14 Fund: The E14 Fund is an MIT-affiliated early-stage venture fund. Born at the MIT Media Lab, E14’s mission is to serve the MIT community and invest in scalable, deep tech startups. E14 donates a significant portion of profits to MIT. Read more about E14 Fund.

Workshop blurb:Ever wondered how are objects from our daily lives designed? How can we generate a computer 3D model of a classic iPod, a Play Station controller, or a LEGO Tower Bridge? What about designing the Taipei 101 tower? A banana? Or how about visualizing and interacting with these objects using VR? In this fun MIT IAP 2026 workshop, you will learn the skills to design and VR-visualize all of these, and much more!Split into 8 (6 CAD, 2 VR) 2-hour long sessions, the first half of each session will be spent learning new Autodesk Inventor and VR skills, while the second half will see the application of these new skills through in-class activities, with a focus on reverse engineering. In contrast to traditional mechanical design courses, this workshop places greater emphasis on the design process itself, understanding how we can plan and best leverage our available tools to arrive to our desired result. Thus, the sessions are less about following the instructions on an engineering drawing, and more about independent thinking and strategizing, reverse engineering an object into a 3D model. New to this edition of "How to CAD" are 2 sessions that will go through the process of visualizing 3D models using VR!Logistics:Please express your interest in this workshop by filling up the following form.You can find the "How to CAD Almost Anything" syllabus for this IAP 2026 here.

Time: 7:00 PM ET (4:00 PM PT)Location: Pasadena, CA

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.