Join us for a fireside conversation hosted by Daniela RusBio: Eric Horvitz, MD, PhD, is Chief Scientific Officer at Microsoft where he leads initiatives at the intersection of science, technology, and society, with emphases on artificial intelligence, biosciences, and healthcare. His research contributions have advanced AI through innovations in perception, reasoning, and decision-making under uncertainty.Dr. Horvitz is known for his contributions to AI theory and practice, with a focus on principles and applications of AI amidst the complexities of the open world. His direction-setting research efforts include harnessing probability and utility in machine learning and reasoning, developing models of bounded rationality, constructing systems that perceive and act via interpreting multisensory streams of information, and pioneering principles and mechanisms for supporting human-AI collaboration and complementarity. His efforts and collaborations have led to fielded systems in healthcare, transportation, ecommerce, operating systems, and aerospace.Beyond his scientific work, he has pursued programs, organizations, and studies on ethics, values, and safety with applications and influences of AI. He founded and chairs Microsoft’s Aether committee on AI, effects, and ethics in engineering and research. He established the One Hundred Year Study on AI at Stanford University and co-founded and served as board chair of the Partnership on AI (PAI). He served as a Congressionally appointed commissioner on the National Security Commission on AI, where he chaired the line of effort on ethical and trustworthy AI.Dr. Horvitz received the Feigenbaum Prize and the Allen Newell Prize for his fundamental contributions to the science and practice of AI. He received the CHI Academy honor for his work at the intersection of AI and human-computer interaction. He has been elected fellow of the National Academy of Engineering (NAE), the Association of Computing Machinery(ACM), Association for the Advancement of Artificial Intelligence (AAAI), the American Association for the Advancement of Science (AAAS), the American Academy of Arts and Sciences, the American College of Medical Informatics, and the American Philosophical Society.Dr. Horvitz currently serves on the advisory boards of the Allen Institute for AI (Ai2) and Stanford’s Institute for Human-Centered AI (HAI). He served as a member of the President’s Council of Advisors on Science and Technology (PCAST), president of the AAAI, as a member of the Computer Science and Telecommunications Board (CSTB) and Computing Community Consortium (CCC), and on advisory committees for the National Science Foundation (NSF), National Institutes of Health (NIH), and Defense Advanced Research Projects Agency (DARPA).He received Ph.D. and M.D. degrees at Stanford University. Before moving into the role of Chief Scientific Officer, he served as director of Microsoft Research overseeing research labs in Redmond, Washington; Cambridge, Massachusetts; New York City, New York; Montreal, Canada; Cambridge, United Kingdom; and Bangalore, India. More information can be found on his home page. A selected list of publications can be found here.

On Wednesday nights you are invited to come to The Table for peaceful Christian worship in the Chapel at 5:15 pm and dinner in the Main Dining Room of W11 at around 6:30 pm.We worship with beautiful songs, open conversation about the Scriptures, prayers and a simple sharing of communion around the altar. Then we enjoy dinner together and good company together. Whether you come every week or just drop by once in a while, there is a caring community for you at the Table.You are truly welcome to come as you are: undergrad, grad, or post-doc; sure of your faith or wondering what it is all about; gay, straight, bi, trans, questioning. Please join us for no-pressure worship and fellowship.Hosted by the Lutheran Epsicopal Ministry @ MIT. For more information, or to verify gathering times during holiday and vacation periods, please contact chaplains Andrew Heisen (heisen@mit.edu) and Kevin Vetiac (kvet246@mit.edu).Please note that we will not meet during the week of Thanksgiving nor between Christmas and New Year's Day. Please see our website (le-ministry.mit.edu) for updates on meeting times and locations as well as additional details.

Time: 1:00 PMLocation: Cambridge, MA

Come join the MIT Women’s Chorale as we experience the joy of making music together! New singers from throughout the MIT community are welcome on Wednesdays evenings, beginning on September 10, from 7 to 9 pm in Building 4 as we practice for our December concert.The Chorale, a concert choir focused on music for treble voice, is led by our talented music director, Nhung Truong, who makes each rehearsal a pleasure.We ask that prospective singers contact us at mitwc@mit.edu to register with us and be placed on an e mail list to receive necessary information. Further details are available on our website.https://web.mit.edu/womensleague/womenschorale/

Time: 4:30 PMLocation: Cambridge, MA

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

With the global transition toward a more sustainable energy future, today’s power grids are encountering significant capacity challenges. These include the integration of distributed energy resources (DERs) with intermittent characteristics, the rapid expansion of electric vehicles (EVs) requiring fast-charging infrastructure, and the substantial power demands of data centers driven by artificial intelligence (AI).This presentation discusses hybrid AC/DC microgrid structures as a promising solution to addressing these challenges. It highlights how such microgrids facilitate the integration of DERs, support fast EV charging infrastructure, and enhance the efficiency and reliability of modern data centers. Key developments in structural designs, advanced converter technologies, energy management strategies, and grid support mechanisms will be highlighted, demonstrating how AC/DC microgrids contribute to a more adaptable and reliable power grid.Please register to attend through Eventbrite.About Dr. Yunwei (Ryan) LiDr. Yunwei (Ryan) Li is currently a University of Alberta Senior Engineering Research Chair and Chair of the Department of Electrical and Computer Engineering.Dr. Li received the Ph.D. degree from Nanyang Technological University, Singapore. Dr. Li was a Visiting Scholar with the Aalborg University, Denmark in 2005, and a Postdoctoral Research Fellow at the Toronto Metropolitan University, Canada 2006 - 2007. In 2007, he also worked at Rockwell Automation Canada before joined University of Alberta. His research interests focus on power electronics and their applications in distributed energy resources, microgrids, renewable energy, transportation electrification, and electric motor drives. His research has produced around 500 papers with over 29,000 citations.Dr. Li is the Vice President for Products of IEEE Power Electronics Society (PELS) 2022-2026. He was the Editor-in-Chief for IEEE Transactions on Power Electronics Letters 2019-2023. Dr. Li served as the general chair of IEEE Energy Conversion Congress of Exposition (ECCE) in 2020 for the first ever virtual version during the pandemic. Dr. Li received the Research Excellence Summit Award by the Association of Professional Engineers and Geoscientists of Alberta in 2025, Nagamori Foundation Award in 2022, and the Richard M. Bass Outstanding Young Power Electronics Engineer Award from IEEE PELS in 2013. He is a Fellow of IEEE, a Fellow of Canadian Academy of Engineering, and recognized as the Clarivate Highly Cited Researcher.

Join the MIT Sloan Sustainability Initiative for a conversation with Professor Jason Jay and Hibah Khan (MBA ’25) to explore the emerging field of systemic investing. Unlike traditional investing, which often focuses on standalone transactions or near-term outcomes, systemic investing is about engaging with the root causes and system interdependencies to create lasting change.This session will introduce the Systemic Investing for Social Change Starter Kit, a new resource co-created by MBA students and practitioners that offers practical tools to help investors, ecosystem builders and leaders align multiple forms of capital toward systems change. The toolkit includes frameworks for stakeholder engagement, systems mapping, multicapital deployment strategies and other practical ways to turn systems thinking into action.We’ll discuss how the Starter Kit was developed through hands-on collaboration with host investors and how it reflects the growing demand for leaders who can use systems thinking, collaborate across sectors and design for impact at scale. So, whether you’re curious about systemic investing, preparing for a career in impact or looking for tools to bring into your own work, this session will offer an introduction to an approach that redefines what it means to invest for meaningful and lasting change.

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Francesco Fabbri UC Berkeley