Time: 1:00 PMLocation: Cambridge, MA

Time: 2:00 PMLocation: Newport, RI

Time: 4:30 PMLocation: Cambridge, MA

Navigate the future of technology with confidenceFor over 25 years, EmTech MIT has been the trusted destination for established senior executives and emerging leaders, researchers, and entrepreneurs to stay ahead of change. Curated by the expert editors of MIT Technology Review, our flagship technology event delivers the clarity and insight you need to navigate uncertainty and lead with conviction.Join us on November 4-6 at the MIT Media Lab for EmTech MIT 2025, MIT Technology Review’s flagship event on transformative technology for business leaders.Learn more and register: emtechmit.com.Contact MIT Technology Review with any questions and discount opportunities.**Discounts are available to the MIT community. Register here with your MIT email address and save 40%.

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

Join us for a Boot Camp designed specifically to help startup founders get their early HR practices right and de-risk their businesses. This session will give you a practical framework to build compliant, scalable people operations. Topics include: 1. The critical HR mistakes that come back to haunt early-stage companies (and how to avoid them) 2. How to handle your startup’s HR needs at each stage, and tools that can help 3. Team formation – sourcing talent and how to hire 4. Must-have policies and documentation 5. How to structure compensation and equity that attracts top talent on a startup budget

Intro to Strength Training with MadelineCome join us for a fun and informative session on strength training led by the amazing Madeline. Build strength and confidence in this empowering, women-focused strength training class. Learn proper form and technique while lifting weights to strengthen and energize your body.Location: MIT Recreation - Alumni Pool and Wang Fitness Center. (57-168)Open to the MIT Community. MIT Recreation membership is NOT required to attend.Space is limited.

What can honeybees teach us about building a healthier planet — and a sustainable business? Dr. Noah Wilson-Rich, CEO of The Biodiversity Lab and founder of Urban Bee Lab and The Best Bees Company, grew a backyard beekeeping project into a nationwide research network powering insights for NASA, MIT, Harvard, and beyond. Today, through The Biodiversity Lab’s strategic consulting and Urban Bee Lab’s nonprofit research, Noah is expanding that mission to help communities and organizations design actionable solutions at the intersection of science, sustainability, and impact. In this talk, he will share how bees serve as living sensors of biodiversity and climate change — and the lessons he’s learned about entrepreneurship at the crossroads of business, sustainability, and science.

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Date: Thursday, November 6, 2025 Time: 4:00 pm – 5:00 pm Location: Singleton Auditorium (Third floor of MIT Building 46)Title: The dynamics of the geometry of abstractionAbstract: Neurons in the mammalian brain often exhibit complex, non-linear responses to multiple task variables (mixed selectivity). Despite the diversity of these responses, which are seemingly disorganized, it is often possible to observe an interesting structure in the representational geometry: task-relevant variables are encoded in approximately orthogonal subspaces in the neural activity space. This encoding is a signature of low-dimensional disentangled representations, it is typically the result of a process of abstraction and allows linear readouts to readily generalize to novel situations. We show that these representations are observed in multiple brain areas in human and non-human primates. We then studied how the geometry changes during the decision-making process in 5 different brain areas (the hippocampus, dorsolateral prefrontal cortex, anterior cingulate cortex, orbitofrontal cortex, and the amygdala) of non-human primates, and how the analysis of the geometry dynamics can be used to understand the underlying neural mechanisms. We finally show how the representational geometry changes with learning in humans. Collaboration with the Salzman and Rutishauser groups.Bio: Stefano Fusi was born in Florence, Italy, and graduated in 1992 from the Sapienza University of Rome with a degree in physics. After his degree, he obtained a researcher position at the Italian National Institute for Nuclear Physics in Rome and started to work in the field of theoretical neuroscience. In 1999, he received a Ph.D. in physics from the Hebrew University of Jerusalem, Israel, and moved to the University of Bern, Switzerland, as a postdoctoral fellow. After visiting Brandeis University as a postdoctoral fellow in 2003, in 2005 he was awarded a professorial fellowship by the Swiss National Science Foundation and became an assistant professor at the Swiss Federal Institute of Technology in Zurich (ETHZ), Switzerland. In 2009, he joined the Department of Neuroscience at Columbia University, where he is now a Professor of Neuroscience.

A series of talks on OR-related topics. For more information see: https://orc.mit.edu/seminars-events/