Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Speaker: Calder Morton-Ferguson (Yale University)Title: Weight modules and gluing sheaves on the flag variety”Abstract: A natural enlargement of the BGG Category O for a semisimple Lie algebra is the category of weight modules with trivial central character and finite-dimensional weight spaces supported on the root lattice. We will present a new geometric realization of this category in terms of gluing sheaves on the flag variety; this re- alization is Koszul dual to a well-studied gluing construction of Kazhdan and Laumon. We will explain its relationship to a pro- posed Koszul duality relating the small quantum group and the semi-infinite flag variety to the geometry of affine Springer fibers.________Location: 2-449

Date: Wednesday, November 12, 2025 Location: 46-3002 (Singleton Auditorium)Speaker: Erin Hecht, Ph.D. Affiliation: Assistant Professor, Department of Human Evolutionary Biology, Harvard UniversityHost: Dr. Ev FedorenkoTalk title and abstract to be provided later...

Demo, talk, and performance. RSVP and more info:: condry@mit.edu. Doors at 5pm. Mariam Gviniashvili will discuss her sonic practice, her use of ambisonics technology, and perform excerpts from her work. She will also give a performance on Saturday 11/8 at Berklee. Mariam is a composer and sound artist working at the intersection of electroacoustic music, 3D sound, and multimedia performance. Her work explores the physical and emotional dimensions of sound and space, often integrating visuals and live performance. Originally from Georgia, Mariam’s musical journey began in early childhood with singing and piano, eventually leading her to composition studies at the Tbilisi State Conservatoire, the Liszt Academy of Music, and the Norwegian Academy of Music. This diversebackground informs her artistic themes, from the distractions of online meetings inDAYDREAMING (2022) to the “strange cosmic ballet” (5 against 4) of the audiovisual pieceREVELATION (2021), and DECONSTRUCTION (2020), a reflection on the spread patterns of viruses. Her work has been presented at festivals, venues, and radio broadcasts worldwide, including INA GRM, ZKM | Center for Art and Media, Ars Electronica, EMPAC, and more. Mariam is the recipient of two Honorary Mentions from Prix Ars Electronica (2021, 2023), the PRIX CIME, and the Work of the Year Award (NKF). Special thanks to sponsors: the MIT Humanities Insight Collaborative and Comparative Media Studies/Writing.

Making Massachusetts the world’s climate innovation labPlease join the MIT Energy Initiative as we welcome Emily Reichert, CEO of the Massachusetts Clean Energy Center. This seminar will explore why state-level climate leadership is more important than ever, how innovative programming is driving climate progress, and what climatetech means for local economies in Massachusetts.Massachusetts’ leaders want to cement the state as the global leader in climate technology by building a connected network–a climate corridor–of testing and demonstration sites, accelerators, companies, manufacturing facilities, and research institutions from the Berkshires to Cape Cod.Massachusetts Clean Energy Center, the state’s clean energy and climatetech economic development agency, is leading the 10-year strategy to bring this vision to life as the federal administration cuts support for entrepreneurs and researchers.Reichert will present as part of the MITEI Presents: Advancing the Energy Transition speaker series for the fall 2025 semester.This event is for the MIT Community. Please register with an MIT.edu email address.

On Wednesday nights you are invited to come to The Table for peaceful Christian worship in the Chapel at 5:15 pm and dinner in the Main Dining Room of W11 at around 6:30 pm.We worship with beautiful songs, open conversation about the Scriptures, prayers and a simple sharing of communion around the altar. Then we enjoy dinner together and good company together. Whether you come every week or just drop by once in a while, there is a caring community for you at the Table.You are truly welcome to come as you are: undergrad, grad, or post-doc; sure of your faith or wondering what it is all about; gay, straight, bi, trans, questioning. Please join us for no-pressure worship and fellowship.Hosted by the Lutheran Epsicopal Ministry @ MIT. For more information, or to verify gathering times during holiday and vacation periods, please contact chaplains Andrew Heisen (heisen@mit.edu) and Kevin Vetiac (kvet246@mit.edu).Please note that we will not meet during the week of Thanksgiving nor between Christmas and New Year's Day. Please see our website (le-ministry.mit.edu) for updates on meeting times and locations as well as additional details.

Join Alex Pentland for a talk on his new MIT Press book Shared Wisdom: Cultural Evolution in the Age of AI, exploring how we can build a flourishing society by designing technology around human nature — rather than allowing technology to shape our society.In Shared Wisdom, Alex Pentland delves into the history of innovation, emphasizing the importance of understanding how technologies and cultural inventions impact human society. Humanity’s great leaps forward—the rise of civilizations, the Enlightenment, and the Scientific Revolution—were all propelled by cultural inventions that accelerated our rate of innovation and built collective wisdom. Solving current global challenges such as climate change, pandemics, and failing social institutions will require similarly fundamental inventions.Copies of Shared Wisdom will be available for purchase and signing after the talk, courtesy of the MIT Press Bookstore.November 12 6pm - 7pm, followed by a book signing $5

MIT Tango Club is proud to present world-class musicians Daniel Binelli (bandoneon) and Polly Ferman (piano) in concert. They will present a program that showcases the evolution and refinement of tango music from its early days to the present.Daniel Binelli and Polly Ferman have united their talents to develop and further the appreciation of the tango, milonga, candombe, and other Latin American musical forms in the rarely heard partnership of the bandoneón and piano. Their performances reflect the elegance and the subtlety of the traditional tango, the sauciness of the milonga, the romance of the waltz, and the temperament and power of the contemporary tango.

Come join the MIT Women’s Chorale as we experience the joy of making music together! New singers from throughout the MIT community are welcome on Wednesdays evenings, beginning on September 10, from 7 to 9 pm in Building 4 as we practice for our December concert.The Chorale, a concert choir focused on music for treble voice, is led by our talented music director, Nhung Truong, who makes each rehearsal a pleasure.We ask that prospective singers contact us at mitwc@mit.edu to register with us and be placed on an e mail list to receive necessary information. Further details are available on our website.https://web.mit.edu/womensleague/womenschorale/

A Little Choctaw Music: Chamber Music of Charles ShadleWednesday, November 12th, 2025 at 8pmThomas Tull Concert Hall, MIT Linde Music Building201 Amherst Street, Cambridge MA 02139This event is in-person only and will not be live-streamed.A Little Choctaw Music: Chamber Music of Charles Shadle gathers together several recent works by the MIT composer. The gifted young Choctaw guitarist, Alexander Lassa, will give the Boston premiere of a work he commissioned, Wheelock Variations. This monumental work for solo guitar is a series of variations on the Choctaw shaped-note hymn Vba Isht Taloa 139 (Choctaw Hymn 139), and celebrates the return of the historic Wheelock Church (the oldest house of worship in Oklahoma) to the Choctaw Nation. In addition to performances by pianist Shalun Li (A Tale of My Native Land No.4), and cellist Leo Eguchi (Iti Fabvssa), the concert will conclude with a performance of the lively and energetic A Little Choctaw Music, performed by the Jamaica Plain Saxophone Quartet.Seating PolicyAs seating in Thomas Tull Concert Hall is limited, we encourage you to reserve seats as soon as possible. Free tickets for MIT ID holders are available on a first-come, first-served basis at the door on the day of the event.Your registration through Eventbrite guarantees you a seat until the event start time. After the concert start time, we will release open seats to the standby list. If you were not able to register through Eventbrite, you may join the physical standby line in the Thomas Tull Concert Hall Lobby up to one hour before the concert start time.Don't miss a downbeat! Click here to subscribe to the Events Newsletter.

Time: 5:00 PMLocation: Cambridge, MA

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.