The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

TBA | Diego Kanzig (Northwestern)

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Ryota Iijima Princeton University (joint with Mira Frick and Daisuke Oyama)

Alexandre Belloni (Duke University)

A series of talks on OR-related topics. For more information see: https://orc.mit.edu/seminars-events/

Speaker: Mike O'Neil (Courant Institute)

The Trump administration has reversed decades of US support for globalization by pulling out of multilateral trade deals, imposing tariffs, restricting immigration, and sidelining global institutions. Join us for a conversation with MIT experts on the impact and potential outcomes of such policies for our nation and the world.Please RSVP here.SPEAKERS:Suzanne Berger is an Institute Professor at MIT. She serves on faculty at the Department of Political Science and is affiliated with the Center for International Studies. Her research focus is on politics and globalization. Additionally, she co-directs the newly launched Initiative for New Manufacturing (INM) which brings engineers, social scientists, and economists together to work on how to transform manufacturing. She also led the MIT Production in the Innovation Economy project (Making in America: From Innovation to Market, 2013). She founded the MIT International Science and Technology Initiative (MISTI) program, which sends hundreds of MIT students abroad each year for internships in labs and companies.Simon Johnson is the Ronald A. Kurtz (1954) Professor of Entrepreneurship at the MIT Sloan School of Management, where he is head of the Global Economics and Management group. At MIT, he is also co-director of the Stone Center Initiative and a research affiliate at Blueprint Labs. In 2024, he received the Sveriges Rsbank Prize in Economic Sciences in memory of Alfred Nobel, joint with Daron Acemoglu and James A. Robinson, “for studies of how institutions are formed and affect prosperity.”MODERATOR:Richard Locke is the John C Head III Dean at the MIT Sloan School of Management. A scholar of international labor standards and comparative political economy, Locke began his appointment as dean in July 2025. Prior to this, Locke served as the dean of Apple University, which focuses on internal leadership and management education for Apple, Inc. and was Brown University’s provost, a position he held for nearly eight years. Earlier at MIT, he served as the Class of 1922 Professor of Political Science and Management and the Alvin J. Siteman Professor of Entrepreneurship, as well as the head of the political science department and MIT Sloan’s deputy dean.Free & open to the public. A recording will be posted on YouTube following the event.MIT is committed to providing an environment that is accessible to individuals with disabilities. If you need a disability related accommodation to attend or have other questions, please contact us at starrforum@mit.edu.Sign up for Starr Forum emails to get notified about upcoming events.A full listing of Starr Forums is available here.

Before Games Could Listen: Thinking Beyond Interactivity in Early Game MusicEarly game sound is often framed as a technological stepping stone, or, more negatively, as a crude precursor to the interactive and adaptive scores of later decades. This narrative of progress, while historically coherent, has tended to obscure the musical imagination and structural sophistication that flourished within early gaming platforms. My work reconsiders that narrative by showing how alternative modes of listening—attentive to structure, design, and technological limitation—can reveal distinct compositional logics and aesthetic priorities, inviting a broader understanding of creativity before games could “listen.”About the SpeakerAndrew Schartmann is a composer and music theorist whose work bridges classical traditions and interactive media. He is a Professor of Music Theory at the New England Conservatory and serves as Audio Director of Yale’s XR Pediatrics Lab, where he creates sound and music for award-winning augmented-reality games, including SmokeSCREEN VR (Gold Medal Winner, 2020 International Serious Play Awards; Forbes Top 50 VR Games of 2019) and Year of the Cicadas (Unity for Humanity Winner, 2023).Schartmann is the creator of NADIA, a mobile app that teaches music fundamentals through gamified learning, scheduled for release in November 2025. He is currently collaborating with William E. Caplin on an interactive website devoted to Beethoven’s piano sonatas and recently curated Beethoven: A Multisensory Experience, an exhibit that explores Beethoven’s legacy through play and interactive storytelling.His books include Koji Kondo’s Super Mario Bros. Soundtrack (Bloomsbury, 2015), Keiji Inafune(Bloomsbury, 2025), Analyzing NES Music (Intellect / University of Chicago Press, 2025), and a forthcoming volume on The Legend of Zelda for the University of Chicago Press. Schartmann is Associate Editor of DSCH Journal and serves on the editorial boards of The Journal of Sound and Music in Games and SMT-V.About the Music Forum SeriesThe MIT Music & Theater Arts Music Forum is a series of public presentations by music scholars from inside and outside of MIT. Hosted in the Lewis Music Library and presented in partnership with MIT Libraries, the MTA Music Forum Series gives the MIT Community an opportunity to engage with leading voices in every field of music scholarship. Past presenters include John Harbison, Julia Wolfe, Terry Riley, Don Byron, and others.

From Process to Outcome: A Joint Book LaunchAs the pace of global change accelerates — ecologically, socially, and technologically — design is emerging as an essential partner to science and technology. This event marks the launch of two new books that capture design’s role across scales.THE BOOKSDesigning the X: Shaping an Unknown Future, by Dennis Frenchman, Svafa Grönfeldt, and Sigurdur Thorsteinsson, examines how design enables us to move with complexity, not against it, shaping futures beyond the limits of the present. Grounded in praxis and research — including interviews with designers, technologists, and educators — it makes the case for design as an essential partner to science and technology: integrative, inventive, and profoundly human.Value of Design, by Dr. Andrea Chegut, Minkoo Kang, Helena Rong, and Juncheng “Tony” Yang, asks a different question: can design be quantified? Drawing on years of research at MIT’s Real Estate Innovation Lab, the book reveals how design leaves measurable traces in the built environment — economic, social, and environmental — that can be captured through data and correlated with real outcomes in our cities.Together, the books highlight two stages of design: the process of generating new possibilities, and the outcomes that design makes visible and measurable. The evening will include conversations with contributors, hands-on activities, and book sales.

Tuesday, October 21 2025 -- astronomical twilight -- 6:53pm -- MIT Sailing Pavilion Dock Thursday, November 20 2025 -- nautical twilight -- 5:56pm --MIT Sailing PavilionThe new moon is a time of darkness, rest, creativity, and gestation. Join MIT's Indigenous Spirit Community in a centering ceremony honoring the interior quiet time needed for discernment, regeneration and incubation.Meet us at astronomical twilight for smudging with sage. A short ceremony will be followed by a guided meditation and a ritual of focus and release. Together we will watch the sky darken, letting the new moon, meandering current, and autumn breeze refresh our spirits.Then, we will all come indoors for a little something hot and a slice of cake.Please RSVP. This event is sponsored by Indigenous Spirit at MIT and is open to the MIT community and friends.