More from Events Calendar
- Nov 37:30 PMMen's Squash vs. Northeastern UniversityTime: 5:00 PMLocation: Cambridge, MA
- Nov 4All dayExhibit NOW in IMES E25-310, from May 23 onward! Stop by to visit and learn more!
- Nov 4–5Goldin+Senneby Exhibition Tour at the List CenterJoin us for an immersive experience exploring the works of Stockholm-based artists Goldin+Senneby. Their recent work focuses on issues of autoimmunity, accessibility, and ecology. We will meet at the List Center for a guided tour through the gallery.Drawing on the experience of living with multiple sclerosis, the exhibition’s title refers to a treatable aspect of the disease. While the gradual progression of the condition offers limited options for intervention, the sudden flare-ups have attracted significant interest from the pharmaceutical industry, paving the way for lucrative treatments. Flare-Up also alludes to the volatile, inflammable nature of pine resin, which has fueled investment in genetically engineered pines as a potential source of green energy.This presentation at the List Center is organized by Natalie Bell, Curator, with Zach Ngin, Curatorial Assistant, MIT List Visual Arts Center.This event is open the MIT Community only.
- Nov 41:00 AMField Hockey vs. Wheaton College (Mass.)Time: 12:00 PMLocation: Norton, MA
- Nov 41:00 AMMen's Soccer vs. Wheaton CollegeTime: 1:00 PMLocation: Cambridge, MA
- Nov 410:00 AMInk, Stone, and Silver Light: A Century of Cultural Heritage Preservation in AleppoOn view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.