On Wednesday nights you are invited to come to The Table for peaceful Christian worship in the Chapel at 5:15 pm and dinner in the Main Dining Room of W11 at around 6:30 pm.We worship with beautiful songs, open conversation about the Scriptures, prayers and a simple sharing of communion around the altar. Then we enjoy dinner together and good company together. Whether you come every week or just drop by once in a while, there is a caring community for you at the Table.You are truly welcome to come as you are: undergrad, grad, or post-doc; sure of your faith or wondering what it is all about; gay, straight, bi, trans, questioning. Please join us for no-pressure worship and fellowship.Hosted by the Lutheran Epsicopal Ministry @ MIT. For more information, or to verify gathering times during holiday and vacation periods, please contact chaplains Andrew Heisen (heisen@mit.edu) and Kevin Vetiac (kvet246@mit.edu).Please note that we will not meet during the week of Thanksgiving nor between Christmas and New Year's Day. Please see our website (le-ministry.mit.edu) for updates on meeting times and locations as well as additional details.

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.