Do you think yoga is only for young, slender, super-flexible people? Think again!Yoga for Every Body with Catherine provides a gentle yoga experience in the Kripalu tradition. It offers a safe introduction for beginners of all ages, shapes, and sizes, as well as an opportunity for more experienced practitioners to share a gentle, mindful practice.Catherine hopes that this will give everyone an opportunity to turn down the “noise” of daily living and tune in to your own body, mind, and spirit.Registration is required on our wellness class website. If you do not already have an account on this website, you'll need to create one. This is fee-based class and open to the entire MIT community.

Join us on Monday evenings for Argentine tango classes with outstanding instructors Fernanda Ghi, Guillermo Merlo and Mia Dalglish (read their bios on the link). Whether you are completely new to tango, or already have some experience, you will find a friendly environment in which to learn new things and improve your technique. You don't have to bring a partner, since the classes involve rotations with all participants.More info on website: https://sites.google.com/site/mittangoclub/products-services/2025-spring-series?authuser=0

A celebration of creativity and community at MITArtfinity is a new festival of the arts at MIT featuring 80 free performing and visual arts events, celebrating creativity and community at the Institute. Artfinity launches with the opening of the new Edward and Joyce Linde Music Building on February 15, 2025, continues with a concentration of events February 28-March 16, and culminates with the Eugene McDermott Award in the Arts public lecture by 2025 recipient artist and designer Es Devlin on May 1, 2025, and a concert by Grammy-winning rapper and Visiting Professor Lupe Fiasco on May 2, 2025. Artfinity embodies MIT’s commitment to creativity, community, and the intersection of art, science and technology. We invite you to join us in this celebration, explore the diverse events, and experience the innovative spirit that defines the arts at MIT.About the Artists Artfinity features the innovative work of MIT faculty, students, staff, and alumni, alongside guest artists from the Greater Boston area and beyond.About the Activities & Events All 80 events are open to the public, including dozens of concerts and performances plus an array of visual arts such as projections, films, installations, exhibitions, and augmented reality experiences, as well as lectures and workshops for attendees to participate in. With a wide range of visual and performing arts events open to all, Artfinity embodies MIT’s commitment to the arts and the intersection of art, science, and technology.About the Presenters Artfinity is an institute-sponsored event organized by the Office of the Arts at MIT with faculty leads Institute Professor of Music Marcus Thompson and Professor of Art, Culture and Technology Azra Akšamija. Departments, labs, centers, and student groups across MIT are presenting partners.Visit arts.mit.edu for more information about the arts at MIT.

February 26, 2025 - July 17, 2025Hidden within MIT’s Distinctive Collections, many architectural elements from the earliest days of the Institute’s architecture program still survive as part of the Rotch Art Collection. Among the artworks that conservators salvaged was a set of striking windows of gypsum and stained-glass, dating to the late 18th- to 19th c. Ottoman Empire. This exhibition illuminates the life of these historic windows, tracing their refracted histories from Egypt to MIT, their ongoing conservation, and the cutting-edge research they still prompt.The Maihaugen Gallery (14N-130) is open Monday through Thursday, 10am - 4pm, excluding Institute holidays.

Speaker: Mo ChenTitle: New Regimes for Topology Optimization in PhotonicsZoom: https://mit.zoom.us/j/91981902244

Zoom link: https://mit.zoom.us/j/92562397534----- Speaker: Gasser ElbannaAffiliation: McDermott LabTitle: Modeling Continuous Speech Recognition to Understand Contextual Effects in Human Speech PerceptionAbstract: Humans excel at transforming acoustic waveforms into meaningful linguistic representations, despite the inherent variability of speech signals. The perceptual and neural mechanisms that enable such robust perception remain unclear. Progress has been limited by the lack of 1) stimulus-computable models that replicate human behavior and 2) large-scale behavioral benchmarks for comparing model and human speech perception. I will present our work on developing candidate models of continuous speech perception along with new behavioral experiments to compare phonemic judgments in humans and models. Our models reproduce patterns of human responses and confusions, and by manipulating the model’s access to past and future speech input, we are testing the role of context in shaping human speech perception.Bio: Gasser is a second-year PhD student in the Speech and Hearing, Bioscience and Technology (SHBT) program at Harvard University. He works with Josh McDermott at the Laboratory for Computational Audition at MIT. His research aims to understand how the brain dynamically perceives, encodes, and integrates speech information over time, thereby unraveling the perceptual and neural foundations of auditory intelligence.