"Regulation Meets Public Infrastructure: Evidence from Environmental Water Policy in China" | Juan Carlos Suarez Serrato (Stanford)

Please join us for our Schmidt Center – MIT EECS Colloquium: Integrative inference of tissue architecture across space, time, and modality by Ben Raphael!‍Monday, November 3, 20254:00 – 5:00 pm (refreshments at 3:30 pm)Broad Auditorium (Merkin building, 415 Main St.) and online: broad.io/ewscAdd to calendarLearn morePlease join us for a colloquium featuring Ben Raphael, Graduate Class of 1991 Professor of Computer Science, Princeton University, on Integrative inference of tissue architecture across space, time, and modality.This colloquium is part of a series hosted jointly by the Eric and Wendy Schmidt Center at the Broad Institute and the Department of Electrical Engineering and Computer Science at MIT. Ben’s colloquium will run from 4:00-5:00 pm with refreshments served at 3:30 pm.The colloquium will be held at the Broad Institute Auditorium (415 Main St) as well as virtually via YouTube Livestream: broad.io/ewsc.If you do not have a Broad badge, please show up at the 415 Main Street entrance 10 minutes prior to the event to be escorted to the talk.Learn more and register here.Questions? Email Amanda Ogden at aogden@broadinstitute.org.

Come by for snacks, and tea with Literature Section friends, instructors, students, etc. What are you reading? What 21L classes are you taking or hoping to take? This event is specifically geared towards undergrads; but open to friends of the community that engage in the literary and humanities at MIT.

Speaker: Daniel Lacker (Columbia University)Title: Sharp quantitative propagation of chaos for mean field and non-exchangeable systemsAbstract:The propagation of chaos phenomenon states roughly that a large system of weakly interacting particles will remain approximately independent for all times if initialized as such. This can be quantified in terms of the distance between low-dimensional marginal distributions and suitably chosen product measures. This talk will discuss some recent sharp quantitative results of this nature, both for classical mean field diffusions and for more recently studied non-exchangeable systems based on dense graphs. These results are driven by a new "local" relative entropy method, in which low-dimensional marginals are estimated iteratively by adding one coordinate at a time, leading to surprising improvements on prior results obtained by "global" arguments such as subadditivity inequalities. In the non-exchangeable setting, we exploit an unexpected connection with first-passage percolation.

Speaker: Bowen Yang (Harvard University)Title: Quantum Cellular Automata and Algebraic L-TheoryAbstract: Quantum cellular automata (QCAs) are models of reversible quantum dynamics that preserve locality; they can be thought of as quantum analogues of classical cellular automata, but with much richer structure. I will describe a classification of the Clifford subclass of QCAs using methods from algebraic L-theory. The main result identifies the group of Clifford QCAs, up to natural equivalences, with L-theory homology of the underlying space. This gives a conceptual explanation of previously observed periodic patterns in lattice models and extends the picture to more general spaces. I will outline the ideas behind the construction and indicate how the framework connects topology, operator algebras, and quantum information. If time permits, I will also comment on what is known — and unknown — about the general (non-Clifford) case.

Come to MIT Health’s next Baby Talk Open House, and learn how we can support you and your family.Meet our pediatricians and family medicine providers. Ask questions. Learn how MIT Health cares for children. Family members and guests are welcome.Monday, November 3, 5:30–6:30 p.m.MIT Health, second floor (E23, 25 Carleton Street)Meet Rosemarie Roqué Gordon, MD, MPHRegister here: https://app.smartsheet.com/b/form/fc550a44a70044d6a786305ff2e0bed3

Time: 5:00 PMLocation: Cambridge, MA

Join us on Monday evenings for Argentine tango classes with outstanding instructors. Whether you are completely new to tango, or already have some experience, you will find a friendly environment in which to learn new things and improve your technique. You don't have to bring a partner, since the classes involve rotations with all participants.Full Series: Sep 15, 22, 29, October 6, 13, 20, 27, Nov 3, 10, 17, 24, Dec 1, 8, 15.For all info and registration, visit following link.

Time: 5:00 PMLocation: Cambridge, MA

Join us for an immersive experience exploring the works of Stockholm-based artists Goldin+Senneby. Their recent work focuses on issues of autoimmunity, accessibility, and ecology. We will meet at the List Center for a guided tour through the gallery.Drawing on the experience of living with multiple sclerosis, the exhibition’s title refers to a treatable aspect of the disease. While the gradual progression of the condition offers limited options for intervention, the sudden flare-ups have attracted significant interest from the pharmaceutical industry, paving the way for lucrative treatments. Flare-Up also alludes to the volatile, inflammable nature of pine resin, which has fueled investment in genetically engineered pines as a potential source of green energy.This presentation at the List Center is organized by Natalie Bell, Curator, with Zach Ngin, Curatorial Assistant, MIT List Visual Arts Center.This event is open the MIT Community only.

Time: 1:00 PMLocation: Cambridge, MA

Time: 1:00 PMLocation: Boston, MA

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

MIT Collects features objects and other media from the museum's vast collection, arranged in areas that tell stories, explore themes, and dive into subject areas.Modeling Everything:Models and model-making, both the objects and the action, are vital to every research area at MIT and to the life of the Institute itself. Explore a wide array of models for teaching, discovery, research, and documentation, from ships to crystal structures to architectural design.Radical Atoms:Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.” It began with a vision of “Tangible Bits,” where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of “Radical Atoms,” where materials can change form and reconfigure themselves just as pixels can on a screen.This experimental exhibit of three iconic works—SandScape, inFORM, and TRANSFORM—is part of the MIT Museum’s ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii’s words, making atoms dance.A Sequence of Actions:Developed and operated at MIT, the Differential Analyzer, Whirlwind Computer, and Apollo Guidance Computer were massive and complex projects that involved thousands of people. See historical components and artifacts from this critical era in programming during the mid-20th century and explore how these early programmers influenced today’s digital culture.Technology and the Dream:Through recordings of students, staff, researchers, and community members, listen to personal reflections and gain a sense of the Black experience at MIT. This dynamic audio installation is co-curated with the MIT Black History Project.Totally Useless Things:Toys, puzzles, and play are a significant part of the creative process. Playful activity can shape a research agenda or an entire discipline. Extracurricular play — like MIT's famous hacks — enhances creativity and community. And play itself is a rich field for scientific research. Jump in and learn how curiosity is the fuel that discovery runs on.Located in the Edward O. Thorp Gallery

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.