Time: 7:00 PMLocation: Worcester, MA

Time: 7:00 PMLocation: Cambridge, MA

Time: 4:00 PMLocation: Cambridge, MA

Navigate the future of technology with confidenceFor over 25 years, EmTech MIT has been the trusted destination for established senior executives and emerging leaders, researchers, and entrepreneurs to stay ahead of change. Curated by the expert editors of MIT Technology Review, our flagship technology event delivers the clarity and insight you need to navigate uncertainty and lead with conviction.Join us on November 4-6 at the MIT Media Lab for EmTech MIT 2025, MIT Technology Review’s flagship event on transformative technology for business leaders.Learn more and register: emtechmit.com.Contact MIT Technology Review with any questions and discount opportunities.**Discounts are available to the MIT community. Register here with your MIT email address and save 40%.

On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

What can honeybees teach us about building a healthier planet — and a sustainable business? Dr. Noah Wilson-Rich, CEO of The Biodiversity Lab and founder of Urban Bee Lab and The Best Bees Company, grew a backyard beekeeping project into a nationwide research network powering insights for NASA, MIT, Harvard, and beyond. Today, through The Biodiversity Lab’s strategic consulting and Urban Bee Lab’s nonprofit research, Noah is expanding that mission to help communities and organizations design actionable solutions at the intersection of science, sustainability, and impact. In this talk, he will share how bees serve as living sensors of biodiversity and climate change — and the lessons he’s learned about entrepreneurship at the crossroads of business, sustainability, and science.

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Date: Thursday, November 6, 2025 Time: 4:00 pm – 5:00 pm Location: Singleton Auditorium (Third floor of MIT Building 46)Title: The dynamics of the geometry of abstractionAbstract: Neurons in the mammalian brain often exhibit complex, non-linear responses to multiple task variables (mixed selectivity). Despite the diversity of these responses, which are seemingly disorganized, it is often possible to observe an interesting structure in the representational geometry: task-relevant variables are encoded in approximately orthogonal subspaces in the neural activity space. This encoding is a signature of low-dimensional disentangled representations, it is typically the result of a process of abstraction and allows linear readouts to readily generalize to novel situations. We show that these representations are observed in multiple brain areas in human and non-human primates. We then studied how the geometry changes during the decision-making process in 5 different brain areas (the hippocampus, dorsolateral prefrontal cortex, anterior cingulate cortex, orbitofrontal cortex, and the amygdala) of non-human primates, and how the analysis of the geometry dynamics can be used to understand the underlying neural mechanisms. We finally show how the representational geometry changes with learning in humans. Collaboration with the Salzman and Rutishauser groups.Bio: Stefano Fusi was born in Florence, Italy, and graduated in 1992 from the Sapienza University of Rome with a degree in physics. After his degree, he obtained a researcher position at the Italian National Institute for Nuclear Physics in Rome and started to work in the field of theoretical neuroscience. In 1999, he received a Ph.D. in physics from the Hebrew University of Jerusalem, Israel, and moved to the University of Bern, Switzerland, as a postdoctoral fellow. After visiting Brandeis University as a postdoctoral fellow in 2003, in 2005 he was awarded a professorial fellowship by the Swiss National Science Foundation and became an assistant professor at the Swiss Federal Institute of Technology in Zurich (ETHZ), Switzerland. In 2009, he joined the Department of Neuroscience at Columbia University, where he is now a Professor of Neuroscience.

A series of talks on OR-related topics. For more information see: https://orc.mit.edu/seminars-events/

Speaker: Javier Gomez-Serrano (Brown University)

Speaker: John Pardon (Simons Center for Geometry and Physics)Title: Log derived moduli spaces of pseudo-holomorphic curvesAbstract: I will sketch the construction of a canonical log derived smooth manifold structure on moduli spaces of pseudo-holomorphic curves. This provides a convenient language for the construction and manipulation of enumerative and Floer homotopical invariants. Derived smooth manifolds form an infinity-category, which may be obtained from the (ordinary) category of smooth manifolds by freely adjoining finite infty-limits, modulo transverse limits. The derived smooth structure on moduli spaces of pseudo-holomorphic curves comes from a (quite tautological) moduli functor on derived smooth manifolds (the main result is thus that this functor is representable). Log smooth manifolds (essentially defined by Melrose, and recently developed further by Parker and Joyce) are used to capture in precisely what sense moduli spaces of pseudo-holomorphic curves are "smooth" near maps from nodal domain curves. Combining these notions yields "log derived smooth manifolds".

Join us for a private in-person open house for MIT students and alumni featuring Loriann Seluga (MIT '00), Assistant Director of Admissions at Yale Law School. This is a great opportunity to learn more about Yale Law School, our unique admissions process, and our supportive community. There will also be lots of time for your questions!This CAPD event is open to MIT undergraduates, graduate students, postdocs, and alumni. Registration is required. Please register for this event here.

Join Miranda Dawson, a Postdoctoral Researcher at the MIT McGovern Institute for a conversation around Goldin+Senneby: Flare-Up.Miranda will explore how neuroimaging can go beyond diagnostics and answer a central question: does opioid dependency arise from the brain, the body, or their interaction? By selectively manipulating neuronal populations, her work reveals distinct forms of neuroplasticity that shape this relationship. Miranda's research will provide a framework to understand Goldin+Senneby's work, which explores the pharmaceutical industry and their interest in the lucrative treatments used to treat multiple sclerosis flare-ups.This event is free, but please register through the Eventbrite link in advance.About the SpeakerMiranda Dawson is a neuroengineer in the Department of Biological Engineering, developing advanced neuroimaging tools to study the brain–body connection. She earned her undergraduate degree from the University of Illinois at Urbana-Champaign and completed her PhD at MIT. Her research focuses on neural representations of physiological processes, particularly opioid-induced neuroplasticity across the central and peripheral nervous systems. Through this work, she aims to uncover the mechanisms underlying addiction and inform strategies for recovery.Graduate Student TalksMIT graduate students and postdocs explore current exhibitions at the List Center through the lens of their own research, background, and interests. Join us for this interdisciplinary lecture series where we dive into how art and research are overlapping on MIT’s campus.

Silent Meditation in the Chapel on Thursdays 6-8pm, open to everyone in the MIT Community. Some sessions include Guided Meditation at 6:30pm.