On view October 1 -- December 11, 2025This exhibition draws on archival materials from the Aga Khan Documentation Center at MIT (AKDC) to explore a century of cultural heritage preservation in Aleppo, Syria. It takes as its point of departure the work of Kamil al-Ghazzi (1853–1933), the pioneering Aleppine historian whose influential three-volume chronicle, Nahr al-Dhahab fī Tārīkh Ḥalab (The River of Gold in the History of Aleppo), was published between 1924 and 1926.Ink, Stone, and Silver Light presents three modes of documentation—manuscript, built form, and photography—through which Aleppo’s urban memory has been recorded and preserved. Featuring figures such as Michel Écochard and Yasser Tabbaa alongside al-Ghazzi, the exhibition traces overlapping efforts to capture the spirit of a city shaped by commerce, craft, and coexistence. At a time when Syria again confronts upheaval and displacement, these archival fragments offer models for preserving the past while envisioning futures rooted in dignity, knowledge, and place.

The irony of artificial intelligence is that it often reveals more about human intelligence than machines themselves.From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.Researchers at MIT have been at the forefront of this evolving field. The work presented in this exhibition builds on the pioneering contributions of figures such as Claude Shannon and Seymour Papert, while highlighting contemporary research that spans computer science, mechanical engineering, neuroscience, and the social sciences.As research probes the connections between human and machine intelligence, it also underscores the profound differences. With AI now embedded in everyday life — from smart assistants in our homes to robots in the workplace — we are challenged to ask critical questions about its potential, its risks, and the boundaries between machine ability and human capability.Join us in shining light on the tremendous promise, unforeseen impacts, and everyday misconceptions of AI in this riveting, interactive exhibition.Learn more about the exhibition.

Imagine different worlds in Cosmograph: Speculative Fictions for the New Space Age, an exhibition that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation and development by private enterprise.We are living at the dawn of a New Space Age. What will the future hold? Will space elevators bring humanity's space junk to turn it into useful material here on Earth? Will asteroid mining be the next frontier in prospecting? Will the promise of geo-engineering turn into a nightmare of unintended consequences?Explore these possibilities and more in our new exhibition that blurs the lines between fact and fantasy, and art and science.

MIT is not a place so much as it is a unique collection of exceptional people.What is essential at MIT is asking questions others may not ask, trying the unexpected in pursuit of a greater solution, and embracing distinctive skills and combinations of talents. Whether encompassing global issues, ventures into space, or efforts to improve our daily lives, stories told in this exhibit showcase the process of discovery that sits at the heart of MIT.Delve into the experimental culture and collaborative spirit of the MIT community in this dynamic and interactive exploration of groundbreaking projects and ongoing innovation."MIT’s greatest invention may be itself—an unusual concentration of unusual talent, forever reinventing itself on a mission to make a better world." — President L. Rafael ReifLocated in the Brit J. (1961) and Alex (1949) d'Arbeloff GallerySupported by the Biogen Foundation

How can code be used as a creative tool by artists and designers?This question motivates the work of the Future Sketches group at the MIT Media Lab. Led by artist and educator Zach Lieberman, the group aims to help us “see” code by using it to make artistically controlled, computer-generated visuals.Explore some of the latest research from the group that uses typography and digital tools to create interactive, creative, and immersive work.Located in our Martin J. (1959) and Eleanor C. Gruber Gallery.

Experience the captivating work of Arthur Ganson, where his perceptions of the world are choreographed into the subtle movements and gestures of his artistic machines."These machines are daydreams condensed into physical form, computer programs manifesting in three-dimensional space." - Arthur GansonArthur Ganson's medium is a feeling or idea inspired by the world he perceives around him – from the delicate fluttering of paper to the sheer scale of the universe. Combining engineering genius with whimsical choreography, he creates machines to encode those ideas into the physical world. But he invites everyone to draw their own conclusions on the meaning behind the subtle gestures of the machines.Currently on display are a select group of Arthur Ganson's works from our MIT Museum Collection. We expect to exhibit his work in large numbers in the future.

How can you investigate something you cannot see?The challenge of understanding the unknown motivates scientists today, just as it has inspired curious people for centuries.Using material from the Allen Forbes Collection, this exhibit traces the scientific process of observing, measuring, and describing that turned whales from monsters into mammals.Using prints from the sixteenth through the nineteenth centuries, Monsters of the Deep examines how European knowledge about the creatures of the sea was informed by new information from sailors, scholars, and beachcombers, and how that knowledge transformed what people understood about the natural world.Want a closer look at what we have on view? You can explore digitized versions of exhibition objects here.On view through January 2026.

Hiroshi Ishii and the Tangible Media Group at the MIT Media Lab have pioneered new ways for people to interact with computers, with the invention of the “tangible user interface.”It began with a vision of "Tangible Bits," where users can manipulate ordinary physical objects to access digital information. It evolved into a bolder vision of "Radical Atoms," where materials can change form and reconfigure themselves just as pixels can on a screen. This experimental exhibit of three iconic works — SandScape, inFORM, and TRANSFORM — is part of the MIT Museum's ongoing efforts to collect the physical machines as well as preserve the user experience of, in Ishii's words, making atoms dance.Learn more about the exhibits here, or watch the YouTube video of Hiroshi Ishii's talk at the MIT Museum below.This is an ongoing exhibition in our MIT Collects exhibition.

Janet Echelman's Remembering the Future widens our perspective in time, giving sculptural form to the history of the Earth's climate from the last ice age to the present moment, and then branching out to visualize multiple potential futures.Constructed from colored twines and ropes that are braided, knotted and hand-spliced to create a three-dimensional form, the immersive artwork greets you with its grand scale presiding over the MIT Museum lobby.This large-scale installation by 2022-2024 MIT Distinguished Visiting Artist Janet Echelman, was developed during her residency at the MIT Center for Art, Science & Technology (CAST). Architect, engineer and MIT Associate Professor Caitlin Mueller collaborated on the development of the piece.The title, Remembering the Future was inspired by the writings commonly attributed to Søren Kierkegaard: "The most painful state of being is remembering the future, particularly the one you'll never have."As the culmination of three years of dedicated research and collaboration, this site-specific installation explores Earth's climate timeline, translating historical records and possible futures into sculptural form.Echelman's climate research for this project was guided by Professor Raffaele Ferrari and the MIT Lorenz Center, creators of En-ROADS simulator which uses current climate data and modeling to visualize the impact of environmental policies and actions on energy systems.Learn more about Janet Echelman and the MIT Museum x CAST Collaboration.Learn more about the exhibition at the MIT Museum.

Speaker: Orit Peleg (University of Colorado Boulder)Title: Emergent Spatiotemporal Patterns in Insect SwarmsAbstract:For the overwhelming majority of organisms, effective communication and coordination are critical in the quest to survive and reproduce. A better understanding of these processes can benefit from physics, mathematics, and computer science – via the application of concepts like energetic cost, compression (minimization of bits to represent information), and detectability (high signal-to-noise-ratio). My lab's goal is to formulate and test phenomenological theories about natural signal design principles and their emergent spatiotemporal patterns. To that end, we adopted insect swarms as a model system for identifying how organisms harness the dynamics of communication signals, perform spatiotemporal integration of these signals, and propagate those signals to neighboring organisms. In this talk, I will focus on two types of communication in insect swarms: visual communication, in which fireflies communicate over long distances using light signals, and chemical communication, in which bees serve as signal amplifiers to propagate pheromone-based information about the queen's location. Through a combination of behavioral assays and computational techniques, we develop and test model-driven hypotheses to gain a deeper understanding of these communication processes and contribute to the broader understanding of animal communication.

TBA | Jin Li (HKU, visiting Sloan)

Ten minutes for your mind@2:50 every day at 2:50 pm in multiple time zones:Europa@2:50, EET, Athens, Helsinki (UTC+2) (7:50 am EST) https://us02web.zoom.us/j/88298032734Atlantica@2:50, EST, New York, Toronto (UTC-4) https://us02web.zoom.us/j/85349851047Pacifica@2:50, PST, Los Angeles, Vancouver (UTC=7) (5:50 pm EST) https://us02web.zoom.us/j/85743543699Almost everything works better again if you unplug it for a bit, including your mind. Stop by and unplug. Get the benefits of mindfulness without the fuss.@2:50 meets at the same time every single day for ten minutes of quiet together.No pre-requisite, no registration needed.Visit the website to view all @2:50 time zones each day.at250.org or at250.mit.edu

Speaker: Jeffrey Ratmell, University of ChicagoHost: Alison RingelTitle: TBDThe Biology Colloquium is a weekly seminar held throughout the academic year — featuring distinguished speakers in many areas of the biological sciences from universities and institutions worldwide. More information on speakers, their affiliations, and titles of their talks will be added as available. Unless otherwise stated, the Colloquium will be held live in Stata 32-123 (Kirsch auditorium) Contact Margaret Cabral with questions.

Cristina Arellano (FRB Minneapolis)

Brain-Body Music: Bridging Neuroscience, Physiology, and Human–Computer InteractionThis talk will present new directions in brain–body music research, situated within the broader field of human–computer interaction. I will share interactive systems and experimental studies from the Brain Music Lab that use brain and body signals—such as EEG, heart rate, and respiration—to create dynamic musical feedback. These systems serve as testbeds for embodied communication between humans and machines, and as tools for studying how music mediates empathy, attention, and social connection. Alongside the scientific investigations, I will highlight performances and installations that transform physiological data into sound, demonstrating how creative practice can advance HCI research while opening new avenues for musical expression.Bio: Grace Leslie is a researcher, composer, and flutist advancing the science and practice of music technology at the intersection of neuroscience and human–computer interaction. She is an Associate Professor at the University of Colorado Boulder (ATLAS Institute; College of Music), where she directs the Brain Music Lab.Her research investigates how music interfaces with brain and body, with a focus on sensorimotor synchronization, multisensory biofeedback, and inter-brain coupling. Through experiments and interactive systems, Leslie explores music as a medium for communication, empathy, and regulation. This work has been supported by the National Science Foundation, including a prestigious NSF CAREER Award, which supports her lab’s development of new brain–body music interfaces.Leslie’s publications span music cognition, human–computer interaction, and interactive system design, and her research has been featured in both scientific and artistic venues worldwide. Complementing this scholarship, her performances and installations transform EEG, heart, and breath signals into immersive sonic experiences, translating physiological states into sound.

Time: 5:00 PMLocation: Cambridge, MA

Lucas Epp The Edward and Mary Allen Lecture in Structural Design Part of the MIT Fall 2024 Architecture Lecture Series. Presented with the Building Technology Group.Lucas is a structural engineer with more than 19 years of experience working in Canada, the UK, and New Zealand. After graduating from UBC, he spent several years working for StructureCraft, where he was responsible for modelling several large-scale timber projects including the 2010 Olympic Speed Skating Oval roof structure. Following a desire to explore abroad, he moved to London, UK for 5 years to work for Buro Happold. While there, he worked with some of the world's leading architects designing a range of projects including London's Olympic Stadium and a 300m (1000ft) tower in Kuwait. He then moved to New Zealand, working there on several seismically challenging projects for 2 years prior to returning to Canada.His expertise with complex geometry and challenging structures has led to involvement in projects where the close interaction of architecture and structure is critical to the success of the project. Lucas has been an invited speaker and guest lecturer at ETH Zurich, the Architectural Association in London, and MIT, among others.Lucas has had a lifelong exposure to timber, working at StructureCraft from a young age on the shop floor. He has since been involved in many of the company's signature projects, including the sweeping 200m (650 ft) long Arena Stage Theatre facade in Washington, DC and an 80m (265 ft) clear span footbridge in Banff, and now leads the engineering department at StructureCraft.This lecture will be held in person in Huntington Hall, 10-250 and streamed online.Lectures are free and open to the public. Watch the webcast on YouTube.

Time: 5:00 PMLocation: Cambridge, MA

Time: 7:00 PM ET (4:00 PM PT)Location: Pasadena, CA